Today’s Bang excerpt comes early on page 12:
The second reason I’m a fan of rejection is because it maximizes your results. The most uncomfortable rejection I can think of is the head-turn when you go in for a kiss. This usually leads to a very awkward moment, more so than when a girl blows you off during an approach. But now I believe the head-turn isn’t a bad rejection because it means you are not wasting kisses. If you never got rejected trying to kiss a girl, it means there are several girls you could have kissed but didn’t, only because you didn’t try. Rejection tells you that you are pushing to get all that you can. A man who doesn’t get rejected is one that is not reaching his true potential.
In 2002 I was introduced to this hot-as-balls girl from California, a “part-time model” who visited D.C. for only a couple weeks. I remember at the time I had a leather-bound journal which contained random drawings I made, some of them not half bad. I often carried it around with me to bars as a prop to pickup women. It was a good conversational piece for a guy who at the time didn’t have a lot to talk about besides Starcraft and microbiology.
The California girl was digging me and in the club we sat on a couch talking and touching. I was a little giddy that this game business was “working” on her (I was using borrowed routines from “Mystery’s Lounge,” long since closed) and decided to try out a line that some guy there said is gold when it comes to getting the kiss.
At the height of our sexual tension, instead of just going for it like I would today with the help of proximity cues, I said, “I want to whisper something to your lips.” She laughed hard in my face and didn’t stop for at least a full minute. I was bummed to say the least.
She stuck around though and we flirted some more, but I didn’t get the kiss.
Two days later the phone rings, and it’s her! She was going back to the California the next day and invited me to her aunt’s house somewhere in bumfuck Virginia. I sprayed on some Drakkar Noir, put on my going-out jeans, and headed over to her house, getting lost along the way and having to consult some maps in a 7-11.
I made it to her house and got to meet her aunt, who was a nice woman, and the girl and I watched some TV and talked. She had a cold though and didn’t want to grab a drink, but before she left I decided that I was going to try again anyway, since I didn’t have anything to lose. At the door of the house I went for the kiss, and she rejected me again. She gave me a hug though and we kept in touch for a couple months until things faded away.
At the time I didn’t know when a girl was “ready” to be kissed, so I just tried every single time as long as the girl didn’t mind my company. That year every girl who wanted to kiss me got kissed by me because I tried on all of them. I didn’t waste any kisses because I erased all preconceptions about when a girl wanted me to kiss her or not.
But now I’m experienced and what not and know when a girl is ready, so I don’t bother when a girl doesn’t want it, right?
Even when I know from vast personal experience that the girl doesn’t want to kiss me, I try anyway, especially on the first date. I know that by the end of the first date if I don’t get a kiss, I probably won’t bang her, so I go for it all the time. Sometimes I go in thinking, “Oh boy this isn’t going to work,” and sure enough it doesn’t. But I’m fine with that and because every girl who wants to get kissed by me will get kissed.
My kissing potential is at 100%, and who knows how many additional girls I’ve banged because I pushed when I wouldn’t otherwise from reading the “signs.” I’m pretty good at knowing the signs but I ignore them, or else I’d be playing it safe and cautious, something a man with burning desire rarely does. Get rejected as much as you can, in approaches and during closes, to achieve the most of what your current skill level can give you. If I’m not getting rejected, I know there’s girls I could be messing around with but am not. Plus I’m always surprised at girls I got intimate with that I thought wouldn’t be down for anything.
In Bang I talk more about getting over shyness and fear when it comes to doing approaches before sharing openers I recommend you use. Here’s an excerpt from an in-depth review of Bang in The Spearhead (by Ferdinand Bardamu’s ):
As a general rule, 90 to 95 percent of the pickup artist literature available today is garbage. Most of these clowns are snake oil salesmen hocking overpriced e-books and DVD box sets containing info you can just as easily find online for free. There are, however, a select few books on game that are worth buying, and Bang, Roosh’s entry into this expanding field, is one of them. If The Mystery Method is the Bible of seduction literature, Bang is the Paradise Lost, and is a title that anyone interested in improving their success with women should buy, post-haste.
Merely from the standpoint of diction, Roosh’s book is miles ahead of its competitors. Anyone acquainted with the seduction community knows that it’s a swirling cauldron of nerdiness and weirdness, with its own vocabulary of “HB10s,” “IOIs”, and “neg hits.” Hell, the obnoxiously pretentious term “pickup artist” was invented so these geeks could pretend to set themselves apart from the rest of us grinders. In contrast, Roosh writes like a normal human being instead of a social retard. You won’t have to worry about coming across an undefined three-letter acronym every other page, necessitating a trip to the glossary and taking you out of the moment. He even refers to men who sleep with a lot of girls by the normal term: “player.” Solely in this regard, Bang is a much better read than almost all of the seduction literature on the market.
But if style is queen, then content is king, and Bang more then delivers in this regard. Roosh’s major innovation is the use of unscripted material in his game alongside standard canned material. For example, he introduces the concept of the “environmental opener,” which is a way of opening a girl with a line based on what’s happening in the surrounding environment. Additionally, he also writes on “conversational threads” as a way to hold a conversation with a girl that is both natural and holds her interest. The book is also rich with examples that allow you to contextualize the lessons. Given that scripted lines eventually become played out as dudes use them on chicks over and over, the ability to incorporate unscripted material into your game is a necessity if you want to stay on the circuit. If you’re having trouble in this department, you’d do well to pick up Bang for that reason alone.