Bob Dylan’s “The Times They Are A-Changin'” Is Our Song Now

The music industry, alongside the movie industry, has been at the forefront of leftist causes, promoting their agenda through the pop stars of the day. This included Bob Dylan, who was actively involved in the black Civil Rights movement. He produced a song called “The Times They Are A-Changing'” to persuade white people and Congressmen to adopt a far-left agenda to institutionalize white guilt more effectively. While the song was intended as an admonishment to conservatives to get with the times, it can now be re-imagined as a boastful screed against modern liberals.

Come gather ’round people
Wherever you roam
And admit that the waters
Around you have grown
And accept it that soon
You’ll be drenched to the bone
If your time to you
Is worth savin’
Then you better start swimmin’
Or you’ll sink like a stone
For the times they are a-changin’.

Admit that multiculturalism and globalism has failed. These ideologies are not compatible with the nature of humanity, and so it must be discarded before it leads to the ruin of you and your loved ones. There are only two sexes, all races are different, and borders are essential for nations. We gave neo-liberalism a chance, but it has put the world on the precipice of civilizational collapse, after already destroying our souls, and now you must accept that the times are a changing.

Come writers and critics
Who prophesize with your pen
And keep your eyes wide
The chance won’t come again
And don’t speak too soon
For the wheel’s still in spin
And there’s no tellin’ who
That it’s namin’
For the loser now
Will be later to win
For the times they are a-changin’.

For those of you who work in the controlled mainstream media, who betray your nation with every word you type, all for a measly salary, you must accept the will of the American people. Present them with the truth instead of acting as the communist opposition party. In the past, your content controlled the collective minds of the nation, but it has become impotent and ineffective, a laughing stock that makes your job on par with that of being a cocktail waitress. Your power is fading, so raise you right hand to your temple and salute the great flag of America, because the times are a changing.

Come senators, congressmen
Please heed the call
Don’t stand in the doorway
Don’t block up the hall
For he that gets hurt
Will be he who has stalled
There’s a battle outside
And it is ragin’
It’ll soon shake your windows
And rattle your walls
For the times they are a-changin’.

If you’re a Congressman, tell your billionaire sponsor that you don’t fear their blackmail, because now you must aid in passing Trump’s agenda. If not, you will be steamrolled by him and your disgruntled constituency. Quit the cuckold behavior and execute the needed measures that defeat globalism. We don’t want to hear excuses and we don’t want to see you plug your fingers in your ears. Either represent us or we’ll find someone who does, because the times are a changing.

Come mothers and fathers
Throughout the land
And don’t criticize
What you can’t understand
Your sons and your daughters
Are beyond your command
Your old road is
Rapidly agin’
Please get out of the new one
If you can’t lend your hand
For the times they are a-changin’.

Boomer parents, you have failed in the raising of your millennial sons and daughters. You are sending them to universities as children and they’re coming back to you after four years as infants, saddled with tens of thousands of dollars in debt while you suck away the remaining wealth of the nation. This is your failing as much as it is theirs. You have not taught them to be adults, not taught them the ways of tradition, not taught them how to succeed in American society. You have created the biggest class of mentally ill individuals the world has seen, so we demand you make way for those who have been raised right, who know the truth, and whose righteous speech has been heard in spite of you children’s efforts to censor them. Grab your insolent spawn and step aside, because the times are a changing.

The line it is drawn
The curse it is cast
The slow one now
Will later be fast
As the present now
Will later be past
The order is
Rapidly fadin’
And the first one now
Will later be last
For the times they are a-changin’.

While you were crowing about ‘the end of history’ during the Obama era, and salivating at the prospect of a permanent progressive state, we were sharpening our swords and tongues. Your new world order is dead, and the new one will fix the grievous harm you’ve done to society in the false name of virtue and progress. Get on board now or be left in the dust, because the times are a changing, and we’re not going back to how things were.

Thank you Bob Dylan for writing our theme song, and if that wasn’t your intention, too bad, because it’s our song now.

Read Next: John Lennon’s “Imagine” Programmed You To Accept The Globalism Nightmare

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jz95
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So Roosh, does this mean you will be leaving the west and returning to the land of your ancestors, the Middle East?

Lika
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Lika
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The new 15-25 yo generation is the most alt-right of all in Europe

The times they are a changing…

MajorStyles
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I saw Dylan it concert about 7 years ago, He never waved to the crowd or thanked them for coming. It was like they weren’t even there. He walked on the stage, played his songs with a scowl on his face, and left. He even refused to play his hit songs in a recognizable way – a kind of “fuck you” to the fans who came. Because how dare they expect to hear the songs like they heard them on the radio. What nerve of them!

As it turns out, being a malcontent is Dylan’s trademark style – millions of concertgoers can attest to his general disrespect for the audience. Some fans will say “that’s just Dylan being Dylan.” Sorry. You don’t get to be a prick because you had hit songs on the radio. People are paying to seeing you perform. The least you can do is be a man of integrity and treat the paying customer with a little gratitude.

Actions speak louder than words. And when you disrespect your audience for 40 years, it says more about you than the millions of lyrics you wrote.

The Lone Ranger
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The Lone Ranger
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Yet they keep coming to his concerts.

fnd
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fnd
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A fool is born every minute.

The Lone Ranger
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The Lone Ranger
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Agreed.

Kisse Ellis
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Kisse Ellis
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Dylan is Jewish

fnd
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fnd
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I was talking about his audience.

Mask of Jason
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Mask of Jason
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And so was Leonard Cohen.

Blinko23
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Contrast that to a Leonard Cohen concert (a contemporary singer/poet often compared to Dylan) . I saw Cohen in concert four times before he died and the man could not be more gracious and appreciative to his audience, essentially treating them like sacred guests. I kid you not. Best concerts I’ve ever been too.

And yes, I know Cohen is not everyone’s cup of tea. Most find his voice and lyrics too dire. But I thought he was a special kind of genius and an incredible human being, even though he was one of (((them)))!

fnd
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fnd
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First,(((we))) take manhattan…

RIP

MajorStyles
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I agree about Cohen. Much more humility and professionalism.

MCGOO
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MCGOO
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I saw David Allen Coe on stage several years ago. He was cheered the entire time. They helped him out of a walker and into a chair. He sipped whiskey and then told a story. Then he played a song and would break and tell another story. At one point, he played the same song twice because he ‘forgot’. The crowd cheered nonetheless.

http://youtu.be/fUmIIQJQ2JI

MajorStyles
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Kudos to him…and the fans.

Mask of Jason
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Mask of Jason
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IMHO the live versions of Dylan’s songs are often better than the original versions. The 1966 and 1975 concerts have much better versions of many of the songs of the respective original records, with a few exceptions. Some live renditions of his songs are quite stunning and completely superior compared to the record versions. When the Night Comes Falling From the Sky is lame in the record, but decent in the tour with Tom Petty; the live version of Shelter From the Storm in the Hard Rain album is great as well; Abandoned Love, live at the Bitter End cafe, is a rare and stunning version of this song, the only known live version; I Want You, in the Unplugged outtakes, has a slow, sweet arrangement; Jokerman’s punk rock version in the David Letterman’s show is another gem; One Too Many Mornings is shy in the album but is powerful in the 1966 shows; Tangled Up In Blue, in Real Live, has completely reworked lyrics and an extra minor chord in the verses; not only that but there are some rare songs he only played live, like I Ain’t Gonna Go to Hell For Anybody, Seven Days, and the most finished version of Dignity, that is in the Unplugged concert.

About him being cold with the audience, we have to remember that he was booed almost on every gig in the 1966 tour, people were walking out, and some of them were almost attacking him on stage. And Dylan used to talk with the audience at least up to the 1980s, he even asks people to write to him in the Gospel Tour. Live 1964 has he having a very funny interaction with the crowd. It changed after he got old and tired, and his voice weakened, and he is also probably bored after playing for so many years his Never Ending Tour. Most people just want a chance to see the man while he is still alive, anyway. We should be grateful that he is still playing, at his age he could have retired already.

MajorStyles
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I have nothing but respect for Dylan’s talent and influence. I play the guitar, so I’m familiar with the tracks you mentioned. His work stands, and will continue to stand, long after he’s here.

That being said…his personality needs improvement. Look at what a prick he is to the interviewer in this video – a respectful fan that he basically shits on because “he’s Dylan.” Fuck that…fame doesn’t give you the right to shit on people.

https://www.youtube.com/watch?v=fKEHVba_tEg&t=464s

Mask of Jason
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Dylan had a bad relationship with the media. It’s nothing new, the media always sucked. Trump has a bad relationship with the mainstream media as well, and so does the manosphere’s key figures. Dylan’s supposed “fans” were booing him, and attacking him from all sides in the mid sixties because they were against what he was trying to do. He probably got pissed off with both the media and the fans. But I guess there was a time when he was nice to them, but grew bitter with time. There’s too much bullshit in the business. There’s always a Mr Jones trying to suck your blood, and milk the cow dry. But he was nice to those liverpool lassies in Dont Look Back, though he bashes the science student and the Time Magazine interviewer because… well, they deserved. Dylan’s an asshole. That’s the game he runs, can’t blame the guy. We all know that being an asshole pays off. Nice guys finish last.

Dominic
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Dominic
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This song is perfect for our cause, but we need an alt-right musician to release a cover of it. I for one don’t want to be playing Sylan.

evilwhitemalempire
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“While the song was intended as an admonishment to conservatives to get with the times, it can now be re-imagined as a boastful screed against modern liberals.”
———————-
And while THIS song was intended as an admonishment to Soviet Russia to get with the times [in this case the (tear down that wall!) Reagan years], it too can be re-imagined as a NEW battle between East and West (only this time around Russia’s the good guys).

https://www.youtube.com/watch?v=7UKWVEkZCrk

“Bravely we hope
Against all hope
There is so much at stake
Seems our freedom’s up
Against the ropes”

anon1
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this song always reminds me of rorschach and the comedian from watchmen. great graphics novel, and extended edition movie

and regarding repurposing the song, its fine, death of the author and all that.

the whole song is about change, doesn’t matter which way

donttouchme
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It’s kind of dumb because we’re going exactly back where we were before. Progressives push the envelope and conservatives integrate some of the changes and roll back some others. Then progressives push again and conservatives integrate again. This is liberalism.
zippycatholic.wordpress.com

Indispensable man
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A generation goes, and a generation comes,

but the earth remains forever.

The sun rises, and the sun goes down,

and hastens to the place where it rises.

The wind blows to the south

and goes around to the north;

around and around goes the wind,

and on its circuits the wind returns.

All streams run to the sea,

but the sea is not full;

to the place where the streams flow,

there they flow again.

All things are full of weariness;

a man cannot utter it;

the eye is not satisfied with seeing,

nor the ear filled with hearing.

What has been is what will be,

and what has been done is what will be done,

and there is nothing new under the sun.

Is there a thing of which it is said,

“See, this is new”?

It has been already

in the ages before us.

There is no remembrance of former things,

nor will there be any remembrance

of later things yet to be among those who come after.

dude
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dude
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Irony, irony all around. The middle eastern immigrant, against both immigration and Islam. The man who has been all over the world, against globalization. The man-whore who hates sluts and advocates for dating virgins. The man that bashes feminism, yet basically uses all their arguments except in reverse. Roosh v in all his glory. The middle-aged man plagued by the throes of mid-life crisis. At least you’re making money off the present identity crisis in the west. Ride this wave while it lasts, because this ” alt-right ” movement is all part of the globalist plan, to sow the seeds of division in society, which will eventually justify global martial law. Enjoy it while it lasts.

Butter Biscuits McGee
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This.

DMac
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DMac
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Utter nonsense. One need only possess an elementary understanding of Dylan to realize, and appreciate, that he writes in the universal language of the poet, not the stuffy, self-centered agenda of the propagandist.
I am guessing he would be among the first to agree that this song, like the greater body of his work, appeals to the widest possible audience , an audience that will continue to grow with his reputation.

skeptical liberal
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skeptical liberal
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And you only need to watch his Chrysler commercial to realize he’s not a globalist.

Mask of Jason
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About Dylan, the political activist, that was just his way to “make it”, and he turned his back on the left and politics when he turned to rock ‘n’ roll and the paraphernalia of fame. His speech in the Tom Paine Award registers perfectly his rejection of political activism, as does the song My Back Pages. And Dylan became a born-again Christian at the end of the seventies. Just my two cents.

Lois
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Lois
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I get it. We’re woke to their tricks. We’re chachachachachaging things back to how they should be.